The nature of impermanence is the inevitable constant state of change; emigrating from the Philippines made me aware of transnationality, where social, cultural, and environmental change is evident. This personal experience connects to the intentionality of my practice as I frequently travel to visit my family across the globe, witnessing the transitory nature of the airport. My immigrant experience influences my work, as my practice helps me navigate my disposition and displacement in the world. The condition of movement, the constant motion, and the stillness between my destinations motivate me to produce minimal and liminal motifs, allowing me to explore the nuances of these seemingly simple yet drastic gestures. Focusing on multimedia installation permits me to bridge intentionality and materiality, as the mediums of light, sound, sculpture, and film encapsulate the spatial and temporal aspects of the subject. Working with time-based media and installation furthers my concept, as these mediums demand me to spend time, take a moment, and move around. Installation-based work enforces my approach and thinking to be modular and organic to change, rearranging materials to recognize and evaluate my decisions. Being adaptable to change is what I've been practicing since I moved, and whenever I move, It is a part of me that will always be present.